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Thursday, May 7, 2015

Jorge Figueroa Acosta


Feline
acrylic on canvas
private collection
other details unknown
fair use

Jorge Figueroa Acosta (1942~) is a Mexican painter and sculptor born in Cananea, Sonora, Mexico. His father was mestizo blooded, with Yaqui ascendancy. He studied at the National School of Plastic Arts Academy of San Carlos, regarded as the best school of arts in Mexico, of the National Autonomous University of Mexico.

Because his works, predominantly figurative, he's considered one of the representatives of the neofigurative tendency that in Mexico and some Latin American countries contributed to the rescue of the iconographic role of the figure, in a historical moment in which the abstraction has offered possibilities for artistic expression, albeit residual, to developers who saw in modernism an inexhaustible source of possibilities for the creation of theoretical frameworks to argue their artistic proposals.

The topic of women in the paintings and sculpture by him has been developed from the postulates neofigurative who revitalized the role of the figure as a basis to expand the conceptual context of modernist painting in the second half of the twentieth century. Much of the pictorial work of him has been created in the stand and from forms that are generated from the morphological structure of the female body, according to which the overall composition of the pictorial space emanates as an appendix to the form. So, Jorge Figueroa determined in his work a new property for the female figure humanist, contributing to modern humanism new meaning in a social environment characterized by the repeated use of images. Using techniques such as oil, acrylic, and watercolor, he addresses several aesthetic categories around the perception of women as a central theme and semantic features that determine its nature. Within these categories, the exaltation of the beauty of the female body is the source to introduce the public to their work in living other qualities such as the sublime, fantastic, and even the enigmatic in the hieratic face of women represented.